FLASH FICTION


In the Aftermath of Hurricane Maria” • HAD, 2020 (selected for Best Microfiction 2021)
I’m Not Hungry But I Could Eat”  • The Forge, 2020 (nominated for Best Small Fictions 2021)
Unplucked” • Pidgeonholes, 2019 (named one of Wigleaf’s Top 50 of 2020)
Ordering Fries at Happy Hour” • Okay Donkey, 2019 (nominated for Best Small Fictions 2020)
A Mountain of Invertebrates” • Lunch Ticket, 2019
What You Missed While I Was Watching Your Cat” • Third Point Press, 2018 (nominated for Best Small Fictions 2019)
Minor Grievances” • X–R-A-Y Literary Magazine, 2018
Here’s the Situation” • jmww, 2018 (reprinted in Forward: 21st Century Flash Fiction)
Dress Yourself” • Split Lip Magazine, 2018 (selected for Best Small Fictions 2019; long-listed for Wigleaf’s Top 50 of 2019; reprinted in Boricua en la Luna: An Anthology of Puerto Rican Voices

 
 
SHORT FICTION


And Another and Another and Another Glass of Rosé  • Catapult, 2020
Packed White Spaces”  • BULL Men’s Fiction, 2020
Better Than All That”  • Little Fiction, 2020
They Can Leave Your Soul To Dry” • Wasafiri Magazine: Queer Worlds / Global Queer Issue, 2019
The Other Half” • The Acentos Review, 2017
Half Hearted” • Pithead Chapel, 2017
Not a Problem, Nope, Not a Concern” • The Vassar Review, 2016

 
 
NONFICTION: ESSAYS, REVIEWS, INTERVIEWS


As a Person of Single Experience jmww, 2021
A Year in Reading The Millions, 2020
BoboAtticus Review, 2020
“Of Women and Salt” Follows Five Generations of Cuban Women from Havana to Miami“: an interview with Gabriela Garcia Electric Lit, 2021
There Are as Many Americas as There Are Pedros“: an interview with Marcos Gonsalez Electric Lit, 2021
A Slacker Dramedy About Two Men of Color in Love: an interview with Bryan Washington Electric Lit, 2020
Carmen Maria Machado’s Genre-Bending Memoir Will Complicate Your Ideas of Queerness”: a review of In the Dream House The Nation, 2019
Thirst” • Hobart, 2019 (reprinted in Sweeter Voices Still: An LGBTQ Anthology from Middle America)
Book Review of Nichole Perkins’s Lilith, but Dark • Barrelhouse, 2018